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h1 tags | a virtual journal and essential blog of the classical music scene in greater Boston in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: Reviews in: News & Features in: News & Features in: News & Features in: News & Features in: News & Features in: News & Features in: News & Features |
h2 tags | Lee Eiseman, publisher; Robert Levin, advisor; David Moran, assisting editor; Bettina A. Norton, emerita editor Emmanuel Music and Dinnerstein: Great Qualities Upper-Middle-Class Chamber Opera Debuts Art for Art’s Sake or as Redress? A Musical Banquet Women’s Lives Through Various Lenses Cellist Tilts at Chivalric Deeds Period Cross-Referencing on 1893 Erard The Wreckers in French? Organist Hits Target Cappella Clausura Resonates at Redeemer Russian Pianist Supports Ukraine Embodied Journeys with Winsor Music An Elegy After undiluted days BCMS Rewards Oratonio the King Three Playing as Three Ode: To A Grecian Turn Subtlety, Variety, and Great Sonorities Christophers Brought Forth Light BSO Closes Without the Veils A Musical Defense for Ukraine Guerilla Opera Depicts Bostonian Activist Rose Standish Nichols Beware the Clefs! Restoration-Era Macbeth Weaves Magic in Song Organist To Take Wings in Providence “Pipedreams Live!” Concert To Open Methuen David Elliott Memorialized Sharing a Challenging Journey Recent Comments |
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